Win 2 Tickets to the Charlotte Gainsbourg Concert at the Fonda Theatre in Hollywood

Win 2 Tickets to the Charlotte Gainsbourg Concert at the Fonda Theatre in Hollywood

SORRY, THE GIVEAWAY IS NOW OVER. WINNER TO BE NOTIFIED BY E-MAIL

Thank you for participating!

Important Information

Winner Will Be Announced at: 11.00 AM (PT) on Thu, Jul 19, 2018

Venue:
Fonda Theatre
6126 Hollywood Blvd
Los Angeles, CA 90028

Date and Time:
Fri, Jul 20, 2018 – 9:00 PM
Doors Open: 8:00 PM

Artist Information
In these ever-changing times, the world at large is still ready to embrace new music that dares to express a different sensibility and challenge its audience’s preconceptions. Such is the case with the new album by Charlotte Gainsbourg. For her third venture into record making, the much-loved actress enlisted the aid of one of America’s most prolific and multi-gifted natural talents, Beck.

Both individuals have stayed at the very summit of their respective professions ever since they first came under public scrutiny.

Charlotte’s own debut record occurred back in 1986 when at the tender age of thirteen, she sang for her father Serge Gainsbourg throughout the album Charlotte Forever. That same year, she won the “Most Promising Actress” Cesar for her role in L’Effrontée and has gone on to receive other equally prestigious awards for her subsequent acting choices. In 2006 her second album 5 :55 reached the top position in the French album charts.

Beck meanwhile was 24 before he became a rising star with the commercial lift-off of his single, “Loser” and accompanying album, “Mellow Gold” in 1994 but wasted no time in establishing himself as that decade’s most ingenious musical path-finder. His output over
the past 15 years has been as mercural and playfully eclectic as it has been stunningly prolific.

Together they have come up with something unique. At times it’s bright and alluring, at others dark and disorientating – it’s a hypnotic journey into a complicated psyche that will haunt and bewitch anyone who takes the time to really listen to it. “I don’t see myself as
mainstream or underground,” maintains Charlotte in reference to her musical career and I.R.M. is situated in neither camp.

Rather, it creates a musical world all of its own Рone where primitive North African drum patterns can co-exist harmoniously alongside edgy electro technology, where la chanson Fran̤aise and American roots music can gainfully cross-pollinate. Call it a new kind of
‘world music’ if you want. More precisely, it’s a penetrating voyage into the inner universe of Charlotte Gainsbourg as brought to life by a true American original – Beck- at the peak of his musical powers. This – in the words of its two protagonists- is how “I.R.M.” came to be created.

CHARLOTTE : “After my last album 5 :55, I wanted to go in a different direction. I wanted to surprise myself. I’ve been wanting to work with Beck for a very long time. And together we formed a real working chemistry.”

BECK : “My friends Nigel Godrich and Air asked me to be involved in Charlotte’s last record but I had too many other projects going on at the time and had to say ‘No.’ But when it came time to do a follow-up, she called me and I immediately said ‘Yeah!'”

CHARLOTTE : “We started with a five-day session to see if we could work together and what might happen if we did. Three songs that are on the finished record came from these first sessions and I really loved the whole experience. I loved working with him and became confident that it was what I wanted to do. But it was a step-by-step process.”

BECK : “I met her several times – the first time was five or six years ago- and I got to know her a little bit. And during our sessions together, I just started making music. I think I came up with ten songs in four days. The initial process was to try and feel my way
through the dark until we both found something that had a resonance to it. I’d talk to her about what she was thinking until there was an osmosis between us. Just being in her presence and feeling her personality would influence the way I wrote the songs for her. The
whole idea was that I would be a ‘conduct’ trying to make something that felt like her.”

CHARLOTTE : “I didn’t want (Beck) to write songs on his side and just give me the lyrics and melodies to sing. I wanted to be involved in the creative process too. So he ended up creating everything from scratch with me being there. He always progressed according to
how I reacted and what I had to say.

The first session lasted five days and then we stopped for a long time because I had to go to Germany and work on a film with Lars von Trier. (Antichrist, for which she won the ‘Prix d’interprétation féminine’ at the 2009 Cannes Film Festival.’) When I came back, we re-
grouped in Los Angeles for three weeks – and then we had two other sessions that were ten days long.

Beck is very, very prolific and I was amazed at the amount of work he could do. Because he was doing practically everything on his own, he would also write the lyrics very, very quickly and I was there to show him bits and pieces of what I’d written which he would
always take so much further. My own input was important in the sense that I was there when he did it. He was channelling my personality in a sense. One bizarre coincidence occurred on the very first song we worked on – ‘Master’s Hand.'”

BECK : “I was very tired at the session and just started scribbling the lyrics (to ‘Master’s Hand’) down. One of the lines I came up with was, ‘Drill my head full of holes/To let the memories out.’ It was a metaphorical image but afterwards the engineer said to me, ‘You
know, that’s what actually happened to her last year.’ And I had no idea she’d had this accident. We’d never even talked about it. (In 2007, Charlotte underwent an emergency operation after having suffered a cerebral haemorrhage). That was the real beginning for me.”

CHARLOTTE : “Little mysterious things like that – I liked the coincidence. It had a lot to do with spontaneity and coincidence.”

BECK : “From that point on, some sort of weird chemistry kept passing between us. I wrote the songs and played almost the instruments but my real goal was to achieve some kind of transparency where I became virtually invisible and all you’re focusing on is her.”

CHARLOTTE : “My father’s presence is still very heavy around me and I’m sure Beck noticed this – I didn’t have to tell him. We didn’t really talk about it. I didn’t need to know how much Beck knew about my father. It was better kept secret.”

BECK : “I’ve been deeply influenced by Gainsbourg and the whole era of French music that he came from ever since I was a child. But when it came to Charlotte, I found myself trying to avoid referencing that too much. We didn’t want to do anything that sounded too
‘retro.’ The one exception is the cover ‘Le chat du café des Artistes,’ -a French-Canadian song recorded back in the 60’s and probably influenced by Serge. It was such an outstanding piece of music and Charlotte got the humour of the lyrics right away. Most of the time I was trying to come up with sounds that would be her own. Which is difficult – because her father covered so much ground. There was no genre of music that we could touch on that he hadn’t already investigated. He did reggae, orchestral rock, jazz, African percussion: so many definitive recordings. Charlotte and I adopted a lot of Serge’s North African percussion ideas for our own record.”

CHARLOTTE : “I wanted my voice on the record to sound very naked because it literally had something that was much clearer to impart. More open, more frank. I kept hearing in my mind the way the chorus girls on my father’s record, ‘Gainsbourg Percussions’ sounded: Open voices. So I tried to sing without thinking about it. At the same time, Beck didn’t ‘direct’ me. The sessions were more like a workshop with things happening all the time and we were reacting spontaneously to them. He was so enthusiastic he immediately made me feel more confident about myself. He’d just come up with an idea and wait for my reaction. It wasn’t like a film where’s there’s a fixed pattern and the director shows you what’s what and leads you there. It was my world he was entering and
communicating with.”

BECK : “She’s finding her own voice now and learning more about the whole process of making music. For the first time, she’s going to start performing live. I’ve helped her get a band together. I think she’s really got a lot to offer the music world. There’s a lot going on
inside her head. There are all kinds of layers to any person – but definitely to Charlotte Gainsbourg. She’s very intelligent, very strong, extremely kind and very open to things even though she knows what she likes. She’s very rare.”

The same can be said for the album that represents the fruit of their labour. Not since the bygone days when David Bowie collaborated with Iggy Pop and Lou Reed wrote songs for Nico have two artists colluded together in a recording studio with such daring results.
I.R.M. is prefaced by the release of its first single, ‘Heaven Can Wait’ featuring a special vocal duet between Charlotte Gainsbourg and Beck.

OFFICIAL RULES

1. NO PURCHASE NECESSARY TO ENTER OR TO WIN. A PURCHASE WILL NOT INCREASE YOUR ODDS OF WINNING. SUBJECT TO APPLICABLE FEDERAL, STATE, LOCAL AND MUNICIPAL LAWS AND REGULATIONS. VOID WHERE PROHIBITED.

2. Eligibility. Subject to the additional restrictions below, the Charlotte Gainsbourg. ticket giveaway (“Sweepstakes”) is open to residents who are 18 years or older at the time of entry. Employees and contractors of Goldenvoice (“Sponsor”), respective affiliated companies, and advertising and promotional agencies, and the immediate family members of, and any persons domiciled with, any such employees or contractors, are not eligible to enter or to win.

3. How to Enter. The Sweepstakes will begin July 18th at 3 p.m. (PT) and ends on July 19th at 11 a.m. (PT) (“Sweepstakes Period”).

You may enter the Sweepstakes as often as you like but there will be only one (1) prize per person during the Sweepstakes Period. By entering, you agree to the terms of these Official Rules and to receive e-mails from Sponsor or those directed by Sponsor. You can opt-out of the receipt of such e-mails by following the directions in any email received from Sponsor.

All entries become property of Gothamology and none will be returned.

The entry deadline for the drawing is July 19th at 11 a.m. (PT).

4. Winner Selection. 1 winner will win a pair of the Charlotte Gainsbourg concert tickets about 5 p.m. (PT) during the Sweepstakes Period from among all entries received.

5. Prizes and Odds. 1 winner will receive a pair of the Charlotte Gainsbourg concert tickets. Odds of winning depend on the number of eligible entries received.

6. Winner Notification and Acceptance. Sponsor will call during regular business hours at number provided on entry form and will leave no messages. Failure to reach winner by phone after three (3) attempts may result in disqualification of winner, forfeiture of his or her interest in all prizes, and selection of a substitute winner from among all remaining eligible entries. To claim prize, the winner will be contacted by sponsor by 5 p.m. (PT) A valid photo identification may be required. Winners may waive their right to receive prizes. Prizes are no assignable and nontransferable. No substitutions allowed by winner. Prizes are not redeemable for cash. Prizes and individual components of prize packages are subject to availability and Sponsor reserves the right to substitute prizes of equal or greater value. Winners are solely responsible for reporting and payment of any taxes on prizes. Winners may be required to complete an affidavit of eligibility/liability and publicity release (except where prohibited by law) which must be returned as directed by Sponsor. Failure to sign and return the affidavit or release, or to comply with any term or condition of these Official Rules, may result in a winner’s disqualification, the forfeiture of his or her interest in the prize, and the award of the prize to a substitute winner. Except where prohibited, acceptance of any prize constitutes winner’s consent to the publication of his or her name, biographical information and likeness in any media for any commercial or promotional purpose, without limitation the Internet, or further compensation. Prizes not won and claimed by eligible winners in accordance with these Official Rules will not be awarded and will remain the property of Sponsor.

7. Participation. By participating, entrants agree to be bound by these Official Rules and the decisions of Sponsor. Sponsor reserves the right to disqualify persons found tampering with or otherwise abusing any aspect of this Sweepstakes as solely determined by Sponsor. In the event the Sweepstakes is compromised by a virus, non-authorized human intervention, tampering or other causes beyond the reasonable control of Sponsor which corrupts or impairs the administration, security, fairness or proper operation of the Sweepstakes, Sponsor reserves the right in its sole discretion to suspend, modify or terminate the Sweepstakes. Should the Sweepstakes be terminated prior to the stated expiration date, Sponsor reserves the right to award prizes based on the entries received before the termination date. Sponsor will not be responsible for incomplete, lost, late, postage-due, misdirected or illegible entries (either photos or ballots), poor quality photos, or for failure to receive entries or votes or other electronic communications due to transmission failures or technical failures of any kind, including, without limitation, malfunctioning of any network, hardware or software, whether originating with sender or Sponsor. The authorized account holder of the e-mail address submitted at time of entry will be considered the entrant. An “authorized account holder” shall mean the natural person assigned to such e-mail account by the Internet access provider, online service provider, or other organization responsible for assigning e-mail addresses for the domain associated with such e-mail account. A potential winner may be requested to provide proof that he or she is the authorized account holder of the e-mail address associated with a winning entry. In the event of a dispute, all online entries will be deemed to have been submitted by the owner of the ISP account from which they were sent. For these purposes, an ISP account holder shall mean the natural person assigned to such ISP account by the Internet access provider, online service provider or other organization responsible for assigning ISP addresses for the domain associated with such ISP account. Any questions regarding the number of entries or votes submitted by the owner of an ISP account shall be determined by Sponsor in its sole discretion.

8. Construction. The invalidity or unenforceability of any provision of these rules shall not affect the validity or enforceability of any other provision. In the event that any such provision is determined to be invalid or otherwise unenforceable, these rules shall be construed in accordance with their terms as if the invalid or unenforceable provision was not contained therein.

9. Sponsor. The Charlotte Gainsbourg Concert ticket giveaway is sponsored by Goldenvoice. The decisions of sponsor regarding the selection of winners and all other aspects of the Sweepstakes shall be final and binding in all respects. Sponsor will not be responsible for typographical, printing or other inadvertent errors in these Official Rules or in other materials relating to the Sweepstakes. If you have any questions regarding this Sweepstakes, please contact Gothamology at info@gothamology.com

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